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Universal Harmony Mental Quantum
Evolution by Dr. Jasna Loboda-Cackovic Scientist and Artist Formerly: Scientist at the Fritz-Haber-Institut der Max-Planck
Gesellschaft, Berlin-Dahlem, Germany, and Artist and by Dr. Hinko Cackovic Scientist and Artist Formerly: Scientist at the Fritz-Haber-Institut der Max-Planck
Gesellschaft, Berlin-Dahlem, Germany, and the Technical University, Berlin,
Germany We are
grateful to our parents: Jelena Loboda
Zrinski (Zrinski), Artist (Dramatist, Prose Writer and Poet), and Prof. Peter
Loboda, Artist (Sculptor), Emma Cackovic
(Habermann), and Walter-Viktor Cackovic, Engineer, for given love, their wonderful and exemplary
life. At the
present time all is interrelated with each other in the world, essentially by
the interest of people for general world problems. Complex problems of life,
science, art, technology, economy and generally of society can be satisfactory
solved only by inventiveness and fantasy. Human narrow specialization is no more
the right way to solve problems in any field; moreover, the narrow specialist
is injurious at any level. The creativity and interdisciplinary working are
necessary conditions for further development in all fields of human life and
work. This tendency is evident
already in the present, since many people broaden their interests, change their
way of life, thinking and knowledge. Considerations
contained in this work are based on personal life, work and experience [1, 2],
on the life and activity of our parents, on general world situation and its
changes. The driving force for processes in life, human activity and nature,
Universal Harmony [3, 4], is the main theme of this work. Universal Harmony is
to be understood not only as a nice and harmonic feeling – but as an impulse
for creating the work and the driving force in the background of all processes. Art in Palaeolithic Period The art works from Palaeolithic period, more than about
30000 years old, represent a new quality in human harmonizing creativity,
appearing in that time. First time in history one individual created an art
work, the first known sculpture till now, Venus of Hohlen Fels ( Obviously, since only relatively few
sculptures and cave-paintings are witnesses of artists’ creation through out
the Palaeolithic period, creativity as harmonizing process was the mental
privilege of individuals in that time and not a general phenomenon.
Nevertheless, it happened. In the time of harsh and disharmonic life conditions
some individuals needed a sort of counter-balance, to express their feeling to
him self and to share it with others. The harmonic feeling, during creation and
observation of art objects, and during communication with others by these art
works - was necessary for the further mental evolution of human species. Creativity in Art Art development through history attends processes
in human life and society of small groups, but now over the world. Since art
creation, following intuition, is a mental development of every single artist,
it is a personal disharmonic or harmonic answer to these processes. This means,
disharmonic expressions of one artist, or an art-period, heal over time into
harmonic ones, as society does. Moreover, in disharmonic world situations
always pioneers exist, generally in
every field of human activity, with their harmonizing work being in advance of
its time, and so help to heal the existing disharmonic state in the world.
Through these pioneers art development is not only attendant to, but also
influences the processes in society. In this work we focused the attention on
our art work, since we like to give considerations from our live, work and
experiences. Art work (sculptures, relief, paintings, photo-art and collages) is given in detail in the autobiographical
section. Our art works are the answer to existing processes in life, in nature
and in the world, are life-affirming and are created following intuition in the
searching for beauty and harmony, for peace and freedom, and for dialog and
cooperation. The complex view, on the work in art and science and on society,
has given us the understanding and the deep insight in creation processes, and
we learned the Universal Harmony as the driving force in behind. We got the
understanding about interrelations between all fields of human activity, and
about networks in nature, society, in inorganic and organic world. Creativity in
Science Our scientific research contains various methods of investigation,
different states of matter and various materials. Fields of investigation are: Physics, chemistry and physical
chemistry. The work is interdisciplinary; intuition and fantasy are important.
Such an approach enabled us to a broader scope of insight into the processes in
matter and revealed the background of these processes. We
developed new theoretical and experimental investigation methods and new
physical instruments, with the intention to get broader and more precise
experimental results. Scientific works are dealing with investigations of
various phenomena on matter after different physical and chemical treatments.
Our investigations are concerned with physics and physical chemistry of
synthetic and biological (brain membranes) long-chain molecules, new polymer
liquid crystals, metals, metallic alloys, reactions on the crystal surfaces,
complex metal/non-metallic systems, and different states of matter, as
crystalline, paracrystalline, liquid crystalline, isotropic, amorphous state,
and its mutual and fluent transitions. Our Experiments on Complex Materials (1) Mechanically treated matter: Stretched
polymer material showed distinct behaviour [5], accelerated with rising
temperature. The consequence is release of strain, accompanied by some subsequent states of order.
Healing of a crystal structure can be done below the melting temperature. If a
crystal structure is highly disturbed it would only need longer time to
recover. So, the re-crystallisation from melt, i.e. going through total chaos,
is not necessary. Self-ordering
of matter interlinks order within microstructure (crystallites, i.e. small
crystalline regions) with order of macrostructure (network built by
crystallites as nodes). It improves the macrostructure by temporary disordering
the microstructure: Better ordering of the network is accompanied by roughening/disordering
the crystallite surfaces, followed by ordering of the surfaces again. In
consequence a better order on both levels was established. (2) Experiments were made with material
mechanically treated by affine deformation [6]. (Affine deformation changes
only the shape, but not the volume.) Such a material, by slowly rising the
temperature almost up to melting point, re-transformed back in the original
shape and volume. It has been made
evident also that this transformation takes place down to molecular dimensions.
The material has memory of the
macroscopic shape before mechanical treatment. This memory is only lost in the
melt, for a longer period of time. (3) Experiments [7] with solid (solution crystallized) polymers, when melted, show that
centres of crystallization are preserved in the melt at least for some time.
Upon cooling, the previously crystalline domains re-formed. In this case, the
same re-forming is established again by memory
on near neighbours on the molecular level. This memory can be destroyed by mechanical treatment in the molten state. (4) Reactions at the surface of
mono-atomic and alloy single crystals, reactions at the surface from atomic to
complex – revealed more new aspects of matter.
Our experiments [8] on Pd-Cu alloy show the rejection of foreign atoms (sulphur) from
the single crystal, after drastic changes of the surface microstructure
firstly. Increasing temperature speeds up this process. The “intention” of the material is to
release bulk elastic strain energy, produced by solute foreign atoms. The
release starts when in the alloy-crystal-matrix the volume and the surface
region act together to enable self-organization of the surface. This unique cooperation starts with the segregation
process of sulphur atoms, accompanied by surface
roughening and partial disordering. Process continued further in direction of
Cu segregation into the subsurface and in changing the (1x2) Pd surface
structure into (1x1). Ordering the surface in larger such Pd (1x1) surface
domains, containing about 20 lattice cells, enable sulphur atoms to build
commensurate ones on top. The sulphur c(2x2) over-layer fits perfectly on the
Pd (1x1) surface lattice. It was not a simple expulsion of sulphur from the
crystal matrix, but cooperation with sulphur to release the strain and minimize
the surface tension by growths of a commensurate sulphur over-layer. The alloy crystal reached a higher order
by this volume-surface cooperation,
even through changing the lattice cell of its surface layer. Conclusions: Complex materials, as synthetic or
biological long-chain molecules, show interdependence of processes, as
order/disorder phenomena in the atomic, molecular and colloidal dimensions, and
mutual dependence of order between them. This interdependence is shifted in
time and extended over some dimensions in the structure, from single atoms or molecules to large crystalline domains. The
memory is part of the network in open systems. The nodes of the network are
built by near neighbour molecules in molten state, or by small crystalline
domains in solids. In experiments, memory has been found to prevail in the
molecules which interconnect several adjacent crystalline domains in strained
material (exp.1, 2), or in the binding forces of adjacent molecules in material
being in equilibrium (exp.3). Generally, the network is an important feature of nature and society, bearing
the harmonic force for healing the system. Structural disharmony, as for instance
foreign atoms cause in single crystals, heals through a harmonization process.
Rejection of foreign atoms out of the crystal volume goes through roughening
and disordering of the surface, as necessary preparing processes to rich a
higher harmonic state of order of the whole system, including the foreign atoms
integrated into the surface.
Self-preparing of the structure in
atomic dimensions at the crystal surface enables volume processes in future,
linked over some dimensions and shifted in time. Harmonization always controls the processes
in microscopic or macroscopic dimensions, i.e. processes in open systems flow from disharmonic, or
from state of lower order, to a state of higher order. Water as an Information Bearer After experiments of Masaru Emoto [9],
water is an information bearer; it has a memory of all it was in contact with.
As such, it is a nice indicator for the purity of nature. Water has the ability to react on sound
and words, even written. Moreover, water changes its structure in liquid state
when exposed to positive or negative human mental influence. Since a human
being consists mostly (about 2/3) of water, the influence of positive or
negative thinking and living situations on him is obvious; not only through the
influence of other persons, but also by own feeling and thinking (self-healing
and self-destroying). To reed out the memory of water, it was
frozen and the crystals were examined under microscope (Masaru Emoto
experiments). Frozen crystals of spring water are nice and harmonic in form,
and on the other side, disharmonic, more or less chaotic crystals indicate
pollution, as it could be found in streamlets, rivers, ponds and lakes, in the
see, even in tap water. The cleaning of polluted water, for
instance tap water, by mechanical removing the pollutant is not sufficient,
because the accumulated information is the content of its memory, not cleaned up
by such a procedure. Only direct influence on the information
can successively improve the quality of water. The information can be cleaned
by circulation in nature through vaporizing, rain and till coming out of the
earth as spring clean water. The wonderful, positive result of experiments made
by Masaru Emoto indicates the possibility of healing the polluted water also by
human mental harmonization, i.e. over-writing the accumulated information. Such
experiments are already successfully done in Universal Harmony General Flow of Processes Having courage for change, we broke down
the common barriers of thinking already long time ago, and clearness of
understanding processes going on justified our conclusions. Our work based on a global view “Art, Science and their Creative Interaction” shows the necessity to
understand the creation process better. Art and science are not opposite
fields, since creativity, imagination, fantasy, ethic and aesthetic are
necessary for both. The act of creation in both fields is identical. Moreover,
the moment of creation is general and independent of a specific field, on
highest level, with instantaneous and complete clearness in the network of
feeling, knowledge and thinking. Our research reveals something existing in
background of processes in nature, so that only describing by physical laws is
not sufficient for a deep understanding. The satisfying answer can not be
obtained by mechanical thinking; only feeling and imagination together with thinking reveal
clearness of understanding, as we have shown by unity of art and science. Considerations about driving forces
also in human life and activity, and in society are based on hints we got
through out our work and life. The result is the insight into the background of
processes elsewhere. Worth mentioning is the known self-healing
process in injured nature, without interference from outside. Even human self-healing
process was not completely understood till now, but after deep insight in the
background of processes now it becomes more and more understandable. Changes happened everywhere in the past
time mostly through chaos and collapse before the New could start. Decay of old
cultures, even disappearing of nations, is well known in history. The new human
being breaks common barriers in solving problems and leaves the usual tracks
leading in chaos and destruction. Now, more and more, with the substance of his
thoughts and feeling, and through love and creativity he forms a new positive
development everywhere. The quality and quantity of changed people grow to such
extent that going through chaos now is not needed to form the New, because the
Old can be transformed peacefully. The Old must be firstly brought to
instability before changing in the New. Already stagnation causes disharmony.
It is generally shown that Disharmony has low probability to be stable in open
systems, but it is necessary for healing the system through transformation. Disharmony in human life and activity, in
nature and society, just everywhere, is only a temporary state, while the Self-Ordering prepares the states of
higher order. During a time-limited state of Disharmony, Universal Harmony is
the driving force for a flow of processes everywhere in open systems, in
direction to a higher order. Because the reached higher order, after a
prolonged time means Stagnation, i.e. Disharmony, the Universal Harmony causes
a constant flow of processes to new higher orders, necessary for positive
development everywhere. The
healing processes in inorganic and organic world are analogous: In our example, the alloy crystal (exp. 4)
healed its disturbed structure, caused by foreign atoms, through the cooperation of not only different parts
of the whole crystal, but also by the foreign/disturbing atoms. Similar, the
cooperation between micro and
macrostructure in complex materials (experiments 1-3) is the base for healing
the whole structure. An analogous healing is possible in
society through cooperation of a growing number of positively thinking and
feeling individuals in different parts of society. Pioneers always exist, in
all fields of human activity, with their harmonizing work being in advance of
its time. They inspire others to heal the existing disharmonic state in the
world and influence advances in society. Mental Quantum
Evolution Universal Harmony is the driving force for
peoples Mental Quantum Evolution (MQE). MQE is responsible for a new general
development in society and culture, for survival of species and nature, and is
characterized by the tendency of profound Mental
Transformation of the present and future generations. Fact is that in the
past only few individuals undergo MQE and were pioneers in new feeling and
thinking, but in the present the MQE becomes
more and more a general phenomenon. MQE - inspires necessary characteristics
of a human being to be an open system, able to change. MQE - changes individuals to be conscious
mind of their mental power and of personal freedom to live the life as they
dreamed it, without others being hurt. MQE - changes individuals into responsible
ones for own life and for all occurrences in the world, since feeling and
thinking now break barriers and people free them self out of the stereotype.
The level of responsibility depends on mental development of each individual
and on his personal possibilities. Qualities reinforced by Mental
Transformation: Love for life, life-affirming feeling,
thinking and activity, and having the courage to dream – make possible to find
positive solutions for every problem. Love for him self, for living on earth,
for nature and all living beings – is the most important condition for a better
future. Interest,
inquisitiveness, thirst for
knowledge, developing intuition, learning all over the time - are the base for
fearless life. Significant is the tendency to new science
fields and technologies and to new forms of expression. The most important aspects
of this tendency are synthesis of science and art, and unity of human
scientific-technical with aesthetical and ethical development, preventing the
scientific and technical abuse of nature and violence on living beings and
nature. Ethic and aesthetic part of human living
and activity change profoundly, evident by growing respect for all living
beings. Now more people have the intention to protect the nature and preserve
species, showing general responsibility for our planet. From profound
importance is cooperation between nations on all economic levels and by
assistance for self-help. Creativity in all fields of life,
searching for new ways in different fields of activity, fantasy combined with intellect and to be open for changes - are
necessary to open a broad view on existing problems and solving them. Self-evident characteristics are
compassion for other people and whole nature, honesty, fairness, cooperation,
and intention for peace and freedom. Active engagement worldwide to give
children better chances by sponsoring their education is the base for better
future for all. The most important condition for children development is the
quality of parent life and love, even more important than any other influence. Mental synchronicity is needed in a group
of people, working creatively in projecting and elaboration of solutions.
Communication and solving problems by cooperation are integral parts of
society’s progress. The humanity’s free will is always
preserved; people solve problems positive in accordance with Universal Harmony.
Otherwise, as it is known through history, the free will without Universal
Harmony leads to disharmony and chaos generally, till Harmony is established
again. Best Chances for the
Future Universal Harmony is responsible for
changes and processes in organic and inorganic world, science and technology,
in art, society, in human feeling and thinking by MQE, just for positive
changes everywhere. In self-organisation of the matter
Universal Harmony is the driving force in background of all processes in
direction to higher order. Universal Harmony is the background of all
processes in open systems, and can not be described by any formula mathematically, can not be
proved with any physical method - only the consequences everywhere show the
reality of this force. The
Universal Harmony is the general driving force, even the generally valid force
at all. This creative force is in the human being itself and in nature, and
acts through the human being, in accordance with his free will, and through
nature. The goal of all new developments worldwide
is to improve the world, in which we live and the world in future, for living
and future generations. This means a globalisation of fair chances for all
people, concerning education, nutrition, and availability of water, housing and
energy. To reach this goal - the cooperation between people in different parts
of the globe and of societies is the necessary base. The
whole life on earth is influenced by peoples feeling, thinking and doing.
Working in agreement with Universal Harmony, and by cooperation, more and more
people change disharmony or crisis in economy, society, just everywhere - into
best chances for future. About the Authors: Jasna Loboda-Cackovic and Hinko Cackovic both have
dual careers as scientists and artists, giving them a unique perspective on the
world and on life. A brief autobiographical section about each author is
presented below: Art and Science Searching for New Ways Wide
ranging interests already from infancy we continued later on by searching for
new ways and working in multidisciplinary fields - concerning our new developed
expressions in art, different and new fields in science and technology, and
various aspects of human living and activity. Our creative activity in sculpturing, drawing, painting,
photo-art and in science is also influenced by literature, theatre and music,
and is characterized by the global
view “Art, Science and their Creative
Interaction” [10, 11]. Creativity in Art Our
projects, as Parallel World, Hidden Worlds, Another Reality, Transformation,
Pressure, Deformation, Against the Wind, Traces, and also Dreams, Dance, Music
- search into different aspects and problems of life, and broaden the message
of the art work. Art-Works of Jasna
Loboda-Cackovic Works
of Jasna Loboda-Cackovic include new creations in sculptures, relief, drawings,
collages, paintings and photo-art [12]. Some
principals of creation: Variations in forming, with putting accent on the
surface of the sculpture, and on empty or full volume; Connection to
surrounding, by changing the meaning of the two and three dimensionality in
forming; Bringing the importance of dialog between particular own works in the
two or three dimensional forming; Widening the forming using own works as
players on a stage, temporary, or retained in one moment of a play by
photo-art. Usually the message defines the
proportions and dimensions of the work. In opposite, as a way of unusual
forming, real volume of the sculpture changes in a virtual one - by not
adequate, but wished and necessary, apparently disharmonic disagreement between
message and volume. Such forming reinforces the harmonic irradiation of the art
work. Another
method of new forming in sculpturing and drawing/painting, as a complex scope
of expression, is “Fracture or Cut and Rebuilding as a Principle of Forming”,
developed in the 80th [13].
By this method new aesthetic relations are built from fragments after
fracture or cut of an already finished own work (sculpture, relief or
painting), and a new volume in sculpture, or new surface of picture are
created. The alteration process from duality to unity is contained in the work.
The rebuilt sculpture contains evidently the whole process of creation, so the
performance is not lost. Time is as the fourth dimension incorporated. The
fracture/cut in forming is a disharmonic process, necessary to express complex
problems and preparing the solution in rebuilding by Harmony as the driving
force. So, in spite of firstly fracturing or cutting, rebuilding is a
life-affirming process. This method of forming is the answer to existing
processes in life and in the world, when completely new ways bring clearness in
viewing on these processes. Art-Works of Hinko Cackovic Hinko
Cackovic developed his own style in photo-art and collages [14]. New aesthetic
spaces, through the fusion of art and science are formed in sculptures, built
up by physical instruments and machines. In
photo-art the reality is transformed with fantasy, visualisation and through
special selection of light and shadow, by special cut outs and points of view
on the reality. By this way, twilight zones are revealed, as Hidden Worlds from macro to micro, with fluent boundaries
between them. By photographing an object is changed, it undergoes a mutation to
an art object. It is the similar process, which undergoes a pile of things on a
table when it is painted as a still life; it is transmuted to an art object, it
starts a different, a new life. Immaterial
Photography, as his own style [15], is developed by painting with light, as the
most subtle painting way, where not objects but only the light, changed by
going through them, is photographed. As such, it is also Concrete Photography. The
attraction of attention to beauty of objects and their message, for instance in
Hidden Worlds, are caused by Harmony as the driving force in creation process. These concealed worlds change the
reality into a dreamlike one or loose the former sense and get a new one with
different aesthetic and emotional qualities. Two-Artist Group JasHin (Jasna Loboda-Cackovic & Hinko
Cackovic) The
group was established 1997 [16].
Works of the group are collages, photo-art and volume-collages [17]. Both
artists follow an own and new way of performing. The resulting innovative work
of JasHin is obtained through the dialog of unchanged works from each artist,
performed by harmonization as the driving force in the creation process. The
sculptures, relief, drawings and paintings from Jasna Loboda-Cackovic stay in
dialog with photo-art and machine-sculptures from Hinko Cackovic. Such dialog
changes the former expression of the separate works and shows many-sided
interpretations, containing completely new messages. The
condition to create a new work is the synchronicity in imagination, projecting
and elaboration of both artists. Totally free creation at each common work
reveals potency of fantasy and imagination. References [1] Dr. Jasna
Loboda-Cackovic: Life and work have been included in numerous biographical
directories from: The Bibliotheque:
World Wide Society, California, USA; American Biographical Institute, North
Carolina, USA; International Biographical Centre, Cambridge,
England; Marquis Who's WhoR Publications, New Jersey, USA;
Intercontinental book and publishing CO. LTD, Canada;
Brigitte Schellmann, Berlin, Germany; Arte factum Verlagsges.mbH, Germany. [2] Dr. Hinko Cackovic: Life and work have been included in Who’s Who Books: Marquis Who’s WhoR
Publications, New Jersey, USA; International Biographical Centre, Cambridge,
England; American Biographical Institute, North Carolina, USA; Intercontinental book and publishing CO. LTD, Canada; Biography Today,
New Delhi, India; Distinguished & Admirable Achievers, Biography Treasury
Series, Delhi, India; Verlag Brigitte Schellmann, Berlin, Germany; Arte factum
Verlagsges.mbH, Germany. [3] The
International Einstein Award for Scientific Achievement, commemorates and
celebrates the life and the work “Science, Art and Universal Harmony” of Dr. Jasna
Loboda-Cackovic, International Biographical Centre, [4] The International Einstein Award for Scientific
Achievement, commemorates and celebrates the life and the work “Science, Art
and Universal Harmony” of Dr. Hinko
Cackovic, International Biographical Centre, [5] J. Loboda-Cackovic, R. Hosemann and W. Wilke, Röntgenkleinwinkel- und Dichtemessungen an verstrecktem und getempertem linearem Polyäthalen, Kolloid Z. u. f. Polymere, 235 (1969) pp. 1162-1171; J. Loboda-Cackovic, R. Hosemann and W. Wilke, Kernresonanzuntersuchungen an verstrecktem und getempertem linearem Polyäthalen, Kolloid Z. u. f. Polymere, 235 (1969) pp. 1253-1260; H. Cackovic, R. Hosemann, J. Loboda-Cackovic and W. Wilke, “Kristalartige” Ketten (α-Typ) in der “amorphen” Phase des linearen Polyäthylens, Kolloid Z. u. f. Polymere, 235 (1969) pp. 1287-1288; J. Loboda-Cackovic, R. Hosemann and W. Wilke, Nematic to Smectic Transition in Linear Polyethylene, J.Materials Sci., Letters, 6 (1971) p. 269; J. Loboda-Cackovic, R. Hosemann and H. Cackovic, Superstrukturänderungen beim Tempern von linearem Polyäthylen, Kolloid Z. u. f. Polymere, 247 (1969) pp. 824-829; R. Hosemann, J. Loboda-Cackovic and H. Cackovic,
Two Types of Recrystallization Process During Annealing of Stretched Linear
Polyethylene, J. Polymer Sci., Symp. No. 42 (1973) pp. 563-576. [6] R. Hosemann, J. Loboda-Cackovic and H.
Cackovic, Affine Deformation von linearem Polyäthylen, Z. Naturforsch., 27a
(1972) pp.478-484; R. Hosemann, J. Loboda-Cackovic and H. Cackovic, Affine
deformation of linear polyethylene during stretching and affine transformation
to the original shape in the liquid state, J.Materials Sci., 7, Letters, (1972)
p. 963; J. Loboda-Cackovic and H. Cackovic, Die affine Deformation und die
Vernetzungen in verstrecktem und danach bestrahltem Polyäthylen, Kolloid Z. u.
f. Polymere, 250 (1972) pp. 511-517;
R. Hosemann, J. Loboda-Cackovic and H. Cackovic, A New Type of Liquid Crystal,
Ber. Bunsenges. Physikal. Chemie, 77 (1973) pp.1044-1047. [7] O. Phaovibul, J. Loboda-Cackovic, R.
Hosemann and F. J. Baltà-Calleja, Detection of “Memory” Effects in Polyethylene
by Magnetic Susceptibility, J. Polymer Sci., Polymer Phys. Ed., 11 (1973)
pp.2273-2282. [8] J. Loboda-Cackovic, Segregation processes
in PdCu(110) and the effects of sulphur impurity on surface composition and
microstructure from annealing, Vacuum, 48 (1997) pp. 913-923. [9] Masaru Emoto, Book “Messages from Water”,
Editor: Hado Kyoikusha Co., Ltd. [10] Dr. Jasna Loboda-Cackovic: Honours
in recognition of Outstanding Contribution to “Art, Science and their Creative Interaction”: “The Da Vinci Diamond”, International Biographical Centre, [11] Dr. Hinko Cackovic: Honours
in recognition of Outstanding Contribution to “Art, Science and their Creative
Interaction”: “The Da Vinci
Diamond”, International Biographical Centre, Cambridge, England (IBC) (2004);
IBC Lifetime Achievement Award (2006); IBC Salute to Greatness Award, lifetime
(2007). [12] Dr. Jasna Loboda-Cackovic: - Art works
are presented at Exhibitions in Germany, Austria,
France, Monaco, Switzerland, Croatia, Luxembourg, from 1968, and Internet
galleries, from 1998; Permanent
presentations: Gallery for Sculpture (Bildhauergalerie Plinthe),
Berlin, 1987-95; Paintings in Gallery Kleiner Prinz, Baden-Baden, Germany, from 1987;
Internet galleries: from 1998,
and Virtual Gallery “artgala”, 1998 – 2008. - Art works are presented in professional Books, Journals, and Catalogues, from 1985. Some of them: In Journals: Der Künstler Nr. 1-7, 1988-1990; Kunstblatt Nr. 1 and 2, 1995 (Gallery Kleiner Prinz, Baden-Baden, Germany); Kunst-aktuell, Nr. 9, 1995; Kunst-aktuell Art-Frankfurt, 1996; Kunst-aktuell Nr. 2, 1999 (Arte
factum Verlagsges.mbH, Nürnberg, AfV); Meisterwerke zeitgenössischer Kunst,
1998 and 2000 (AfV); Meisterwerke - Künstler unserer Zeit, 1999, 2001 and 2002
(AfV); Baden-Journal, Germany, Nr. 3/4, 2008; LiveMagazin, Germany, Nov./Dez., 2008; In Books: Allgemeines Lexikon der
Kunstschaffenden in der Bildenden und Gestaltenden Kunst des Ausgehenden XX. Jahrhunderts, Band 3, 1993 (AfV);
Dokumenta Artis, 1995 and 1999/2000 (AfV); 2000 Outstanding Artists and
Designers of the 20th Century, 2001 (International Biographical
Centre, - Prizes for
art work, from 1989. Art awards include:
Euro gold medal, Art and Culture, Exhibition Zürich, 3 Prizes, Exhibitions, Berlin,
Dresden and Baden-Baden, Germany, 1993, 1994, 1995; Sculpture Prize, 5th
Open Art Prize, Bad Nauheim, Germany, 1995; Sculpture
Prize, International Virtual Internet Art Competitions, Forschungs-Instituts
Bildender Künste, Germany, 1998, 2000, 2001; magna cum laude for the Oevre at the Virtual Internet Art Competitions, Jean-Gebser-Akademie, Germany, 2002/2003, 2004/2005. [13] Dr. Jasna Loboda-Cackovic: For instance, Work-Catalogue, Sculpture, No. 567, 12.1986, First Exhibition
+ Catalogue: Berlin, FBK 1987,
Book: Meister Bildende
Künste, Bd.3, 1997, p.129 (AfV);
Work-Catalogue, Sculpture, No. 580, 7.1986, permanent
presentation: Berlin,
Bildhauergalerie Plinthe, 2.1987 – 3.1990; and Work-Catalogue, Sculpture, No. 647, 7.1987, permanent presentation: Berlin, Bildhauergalerie Plinthe, 3.1990-10.1995, Book: Meister Bildende Künste, Bd.3, 1997, p. 130 (AfV). [14] Dr. Hinko Cackovic: - Art
works are presented at numerous Exhibitions in Germany, Austria,
France, Switzerland, from 1991, and in Internet galleries, from 1998; Permanent
art presentations: Gallery Kleiner
Prinz, Baden-Baden, Germany, from 1991; Cyber Museum at wwwARTchannel
(www.art-channel.net), from 1999, and Virtual Gallery “artgala”, 1998 – 2008. - Works are published in Catalogues, professional Journals, from 1992, as Kunstblatt Nr.1 und 2 (1995) (Gallery Kleiner Prinz, Baden-Baden, Germany); Kunst-aktuell, Nr. 2 (1995), 2, 3 (1999), 6, 7-8, 9, 11, 12 (2000), 1, 5, 6, 11 (2001),
12/2001-1/2002, 3 (2002) (Arte factum Verlagsges.mbH, Nürnberg, AfV);
Meisterwerke zeitgenössischer Kunst (1998, 2000); Meisterwerke - Künstler
unserer Zeit (1999, 2001, 2002); Baden-Journal, Germany, Nr. 3/4, 2008; LiveMagazin, Germany, Nov./Dez., 2008; and
in Books as „Allgemeines Lexikon der Kunstschaffenden in der Bildenden und
Gestaltenden Kunst des Ausgehenden XX. Jahrhunderts“ Band 4 (1996) (AfV); Modern
Artists 3D-Art (1996); „Dokumenta Artis“ (1995, 1999/2000) (AfV); 2000
Outstanding Artists and Designers of the 20th Century, 2001
(International Biographical Centre, - Prizes for art work, from 1994. Art awards: Two Euro Art Prizes, Exhibitions,
Germany: Dresden and Baden-Baden, 1994, 1995; Prize for Photo-Art, 5th
Open Art Prize, Bad Nauheim, Germany, 1995 and prize
„Phoenix“, International Virtual Internet Art Competitions, Forschungs-Instituts
Bildender Künste, Germany, 1998, 1999/2000, 2001; Prize and magna cum laude for
the oeuvre at the Virtual Internet Art Competitions, Jean-Gebser-Akademie, Germany, 2002/2003 and
2004/2005. [15] Dr. Hinko Cackovic: For
instance, Work-Catalogue No. 238, 12.1997, Exhibition „MILLENIUM“, permanent presentation: WWWARTchannel,
OMS Online-Microsystem GmbH, from 1999;
Work-Catalogue No. 399, 7.1999, in Art-Journal: Kunstmagazin KUNST-aktuell,
No. 6/2001, cover page and p. 26 (AfV); and Work-Catalogue No. 470, 8.1998, Exibitions organized by Gallery Kleiner Prinz, Baden-Baden,
Germany, from 2008.. [16] JasHin: For instance, Work-Catalogue, Collage, No. 1, 8.1997; Work-Catalogue,
Collage, No. 2, 8.1997,
preprint Meister Bildender Künste, Bd.4 (AfV); and Work-Catalogue, Collage, No. 52, 12.1997, art book: Dokumenta
Artis 1999, p. 16 (AfV); and Work-Catalogue, Volume-Collage, No. 166A, 1.2000, Preprint, Meister Bildende
Künste, Bd.4 (AfV). [17] JasHin: -Art works are presented at Exhibitions in Germany, France, and in
Internet Galleries from 1998; Permanent art presentations: Paintings in Gallery Kleiner Prinz, Baden-Baden, Germany, from
2005; Internet gallery, Cyber Museum wwwARTchannel (www.art-channel.net), from
2000; Virtual Gallery “artgala”, 1999 – 2008. - Works are published in Catalogues, professional Journals, as: Kunst-aktuell No. 2 and 3 (Arte factum Verlagsges.mbH, Nürnberg, AfV), 1999; Baden-Journal, Germany, Nr. 3/4, 2008; LiveMagazin, Germany, Nov./Dez., 2008; and in Books: Dokumenta Artis (AfV) 2000; Preprint, Meister Bildender Künste, Band 4 (AfV); art calendar (MAAZ - Medien Advertising Ziese, Nürnberg): Meisterwerke - Künstler unserer Zeit, 1999 and 2001 and Meisterwerke Zeitgenössischer Kunst, 2000; KünstlerKompendium, 2004 (AfV). - Prizes for art work: International Virtual Internet Art Competitions, Forschungs-Instituts Bildender Künste, [ BWW Society Home Page ] © 2010 The Bibliotheque: World Wide Society |